Archive for the ‘Artwork’ category

Waiting for Toned Paper

August 14, 2017

I ordered and received some toned tan paper that I bought from Amazon in the States because no one in Canada seems to have it yet. When I received the paper it felt wonderful but had a peculiar chemical smell. The spouse thought it smelled like perfume, I thought it might be detergent, although the pad doesn’t look like it got wet or warped. The corners were bashed in toward the front.

I contacted the manufacturer and sent them two pages so they could see about this smell. They will send me another pad but I hope this isn’t going to be the norm for this paper as I’d like to use it. I hope it’s not some kind of binding resin or glue on the cover as I was quite nauseated by the smell.

I’ve been looking at tutorials about drawing on toned paper, or using watercolour, pen and ink, and coloured pencil on toned paper and the techniques are a bit different. To date, I have used lighter weights of toned paper and also Canson Mi-Teintes but never heavier ones that took watercolour and other mixed media.

I downloaded some photographs of birds with a Creative Commons licence, and printed them on glossy photo paper to use as drawing references for some drawings with coloured pencil and watercolour that I’d like to do up and have framed. I’m inching toward that with practice and references.

While waiting for my toned paper I ordered two books:

ArtBooks_August

 1) Portrait Revolution: Inspiration from Around the World For Creating Art in Multiple Mediums and Styles by Julia L. Kay.

Inspired by the success of printing using my inkjet on glossy photo paper, I decided that I could take photographs of my husband and eventually print them as drawing references and practice doing portraits. I can also take photos of the pets and print them.

2) How to draw with colored pencils on toned paper in realistic style by Jasmina Susak.

I understand how to draw, but I’m not used to using just dark and light tones, particularly white on toned paper. This was an inexpensive reference and has some tutorials to practice which looked good.

It’s never too early to think about what art projects to complete during the winter months.

 

 

Hand Painted Tree Mural

July 23, 2017

I suppose this is more of a silhouette than a full mural, and it is inspired by the tree decals you can buy for walls. Apart from the exorbitant cost of a decal, this was an odd space by the front door in my foyer, so I knew I’d have to draw my own tree to fit the space.

TreeDrawing_chalk

I drew up a tree on paper, and then took measurements of my wall and the elements like the light fixture that I had to fit the tree around, and modified it slightly. I bought some children’s sidewalk chalk that came with a plastic holder at the dollar store, and used that to sketch the drawing onto the wall, eyeballing the proportions from the paper. Chalk is good because you can rub it off with a cloth if you make a mistake, and redo part of your drawing.

ChalkTree_sm

As I suspected, I had to decrease the width of my drawing once I got started transferring it to the wall. The story is that the tree got blasted by lightning on the left, but carried on growing to beckon people onward through the front door.

I have problems with tendinitis and arthritis, bad knees, and the challenge here was not to hurt myself but to get the artwork done. I first planned this 15 months ago but I needed to wait until the spouse repainted the foyer a pale grey first.

The tree took a day to draw up on paper and adjust, a second day to chalk it on the wall, and two days to put the first coat on. After that I was sore and could only do 40 minutes per day maximum so it took another six days to finish the second coat and do a few touch-ups.

TreeMuralFoyer_JJ

When you are sitting in the living room seeing this, the tree seems to include the whole room, so instead of having this empty-looking foyer with its light and table, it becomes part of the whole room, not just a little area isolated by the front door.

The big “J” was a solid wood one we bought 38 years ago, and I often feature that letter in artwork or crafts; I wasn’t sure it would fit in the tree, but it seems to like it.

What letter wouldn’t like to hang around in a tree?

 

 

 

Books on Painting Water and Bird Photography

July 21, 2017

I want to do up a small watercolour and coloured pencil drawing of a sandpiper to represent a story from my father’s childhood. Now that he’s dead I’d like to get this done and framed. I was going to use Stonehenge paper because I want to do it on a toned surface with minimal background. Strathmore has a new toned mixed media paper that is heavyweight and can take watercolour better but it doesn’t seem to be in Canada yet, so I might wait a bit to see if it shows up in art supply stores in a few weeks, hopefully it won’t take months and months which is the usual way of distributing supplies here.

So for preliminaries I was looking for good photo references. There are several types of sandpipers here and sanderlings as well. Not knowing the particular species, I found a photo of a Western Sandpiper and a Sanderling in books by Glenn Bartley: Birds of British Columbia: A Photographic Journey, published in 2013, and Birds of Vancouver Island: A Photographic Journey, published in 2010 that will be useful.

BCBirdBooks

I like photographic bird books because you can so easily see the exact birds that might be around you. Even my field guide for birds can be confusing, so I loved these two books and see all kinds of references that might be useful for drawing some of my favourite birds.

The other two books I bought are (surprise!) watercolour and pen and ink books on techniques for drawing and painting water and weather, coastal scenes, rivers, rainy streets, rocks, spray, glittering light on water, all kinds of scenarios.

WaterBooks

The first is by Claudia Nice, Down by the Sea with Brush & Pen: Draw and Paint Beautiful Coastal Scenes. I have about five of Claudia’s books and they are excellent, and she uses different media. She really covers everything in this, from rough seas to coastal trees, even dogs and children playing at the beach.

The second is by Ron Hazell called The Artist’s Guide to Painting Water in Watercolor: 30 Techniques, and he too has some comprehensive scenes and much information on the way light behaves on water and how to paint that, how to paint reflections.

I just need to wait for the right paper.

 

 

 

 

 

Beefing Up Gouache Palette and Brushes

June 26, 2017

One of the fairly local art supply places has a big sale on so I added four more colours to my gouache palette. While fiddling around doing decorative initials and drop caps on my Manner and Material blog, I realized that it was either too laborious to mix certain colours or mixing used too much white, so I bought these on sale. The Winsor Violet cost a lot but it will be so useful and I felt lost without Burnt Sienna. Opera Rose was an indulgence and the Olive Green is one I use quite a bit in regular watercolours so it made sense to buy a tube of gouache in that colour too.

WNGouache_new

While browsing Instagram and looking at people’s watercolours, I saw one woman mention the Escoda Versàtil brand of synthetic sable brushes as being great and holding up to lots of mixing. To date, I have only used relatively inexpensive brushes that don’t last very long, but these Escoda brushes were on sale so I bought a #4 and a #6 round. I use those most often and could only afford two so this was my decision. I will take good care of them!

EscodaVersatil_Rounds

 

 

 

Daniel Smith Watercolour Sets

June 18, 2017

Daniel Smith has an enormous number of watercolours and some with special effects. Way too many for my budget, but I decided to make up a little palette of twelve colours from sets they offer.

DanielSmith_2Sets

The paints come in tubes, so I bought a tin box with 12 half pans that I can squeeze the watercolour into and thus have a nicely organized portable palette.

Medeen_12HalfTin

Is this something I needed? No, but I’m going to have fun trying them out. I also realized that I could drive myself nuts trying to pick the perfect Daniel Smith pigments to buy, and they are scarce in Canada, so I gave up and ordered the sets and tin off Amazon.ca.

I went through agonies of indecision when setting up my main 24-pan Winsor & Newton watercolour palette in a similar tin with purchased half pans. This Daniel Smith tin is just for fun, just to noodle around moving paint around and seeing what happens.

I think I’m going to find the natural pigment in the Primatek set interesting to work with and mix.

 

 

 

Don’t Struggle With Cheap Gouache!

December 16, 2016

Over the last 15 years or so, I’ve been struggling now and then to use my set of Reeves gouache. It’s great for beginner’s having a fiddle with a medium they aren’t sure about, but they are quite chalky and the colour quality isn’t that great.

gouachemontage_reeves

Gouache is strange to work with because it dries so fast, but also enticing because of its opaque qualities and coverage. It has a creamy consistency that is interesting and a matte finish which looks and feels good.

So this week I hauled out my tube of white gouache to use on a graphite picture for highlights, and the tube is almost empty, and I said to myself “Why are you still struggling with this little set?” I like gouache, I have plans to use it in my new sketchbook project, and try it out more on darker colours of Canson Mi-Teintes paper which I love, but this grade of gouache is something that’s pointless when I need a better quality of paint that will help me improve my art.

I gave up the struggle and bought a set of ten artist quality gouache tubes from Winsor & Newton. Oh man, I could have picked out 20 individual tubes and got just the right colours, but the cost would have been close to $200, whereas the set was $73 and I bought an extra tube of Permanent White which uses titanium in the mix rather than the Zinc White that comes in the set.

wn_gouache10plus1

Chemicals in paint: Zinc White mixes well with other colours, Titanium White likes to be on its own, creating highlights and drawing things on Mi-Teintes paper, alone, alone, alone. Who am I to argue?

I hadn’t planned to buy any art supplies for Christmas, but it happened. I’m excited after several months of pain from a shoulder impingement, to gear up a bit and start drawing and painting again. I still have pain but can manage 30 minutes a day as long as I wear a tendon cuff and don’t overdo it.

Sally Warner, in her book Making Room for Making Art, describes herself and others grabbing 10 to 15 minutes of art creation time a day as their lives allow, and creating wonderful art.

I’m with Sally.

makeroom

 

 

 

 

 

Watercolour Mixing Chart and More Handmade Envelopes Meet a Mantis

June 3, 2016

I always do a colour chart of the paints and pencils I have here, but I have never done an actual mixing chart using the colours of the palette. Since I am not familiar with some of the Winsor & Newton peculiarities I thought I’d make a chart with the 24 colours I will have. I am still waiting for mail delivery of 7 but I made a start.

WNColourChart

I drew up my own rectangles for each colour or mix and they measure 10 x 14 mm, and this will be really full after I’m done. I find it tedious but I want to persevere as a chart like this is very helpful. Each colour ends up with 2 squares when you use this method but it looks pretty.

Last year I bought a pad of double-sided scrapbooking paper and meant to make some envelopes but we had to move and everything was packed away. So I hauled it out three days ago and started making business-sized envelopes. I eventually ended up with 14 because that was how many different patterns there were in the book of 42 pieces of paper. I love the subtle look of these coordinating colours.

Envy1_Front_Back

Envy2_Front_Back

A friend of mine saw me bemoaning the fact that I couldn’t find a mantis figure to go with some new animal decks that featured one. I have always liked mantids and at our old property, all the little babies would hatch out in the Fall and we’d see hundreds of them.

So she sent me this gloriously large plastic mantis (thank you Debra!!) who was a big help when gluing and weighting envelopes. Plastic figures save the day once more. I’ll have to hunt up some suitable cards for a comparison of artwork of this insect. (Which you can see: Comparison of Mantid Cards.)

Mmmm, the glory of colour.