Posted tagged ‘art supplies’

Waiting for Toned Paper

August 14, 2017

I ordered and received some toned tan paper that I bought from Amazon in the States because no one in Canada seems to have it yet. When I received the paper it felt wonderful but had a peculiar chemical smell. The spouse thought it smelled like perfume, I thought it might be detergent, although the pad doesn’t look like it got wet or warped. The corners were bashed in toward the front.

I contacted the manufacturer and sent them two pages so they could see about this smell. They will send me another pad but I hope this isn’t going to be the norm for this paper as I’d like to use it. I hope it’s not some kind of binding resin or glue on the cover as I was quite nauseated by the smell.

I’ve been looking at tutorials about drawing on toned paper, or using watercolour, pen and ink, and coloured pencil on toned paper and the techniques are a bit different. To date, I have used lighter weights of toned paper and also Canson Mi-Teintes but never heavier ones that took watercolour and other mixed media.

I downloaded some photographs of birds with a Creative Commons licence, and printed them on glossy photo paper to use as drawing references for some drawings with coloured pencil and watercolour that I’d like to do up and have framed. I’m inching toward that with practice and references.

While waiting for my toned paper I ordered two books:

ArtBooks_August

 1) Portrait Revolution: Inspiration from Around the World For Creating Art in Multiple Mediums and Styles by Julia L. Kay.

Inspired by the success of printing using my inkjet on glossy photo paper, I decided that I could take photographs of my husband and eventually print them as drawing references and practice doing portraits. I can also take photos of the pets and print them.

2) How to draw with colored pencils on toned paper in realistic style by Jasmina Susak.

I understand how to draw, but I’m not used to using just dark and light tones, particularly white on toned paper. This was an inexpensive reference and has some tutorials to practice which looked good.

It’s never too early to think about what art projects to complete during the winter months.

 

 

Beefing Up Gouache Palette and Brushes

June 26, 2017

One of the fairly local art supply places has a big sale on so I added four more colours to my gouache palette. While fiddling around doing decorative initials and drop caps on my Manner and Material blog, I realized that it was either too laborious to mix certain colours or mixing used too much white, so I bought these on sale. The Winsor Violet cost a lot but it will be so useful and I felt lost without Burnt Sienna. Opera Rose was an indulgence and the Olive Green is one I use quite a bit in regular watercolours so it made sense to buy a tube of gouache in that colour too.

WNGouache_new

While browsing Instagram and looking at people’s watercolours, I saw one woman mention the Escoda Versàtil brand of synthetic sable brushes as being great and holding up to lots of mixing. To date, I have only used relatively inexpensive brushes that don’t last very long, but these Escoda brushes were on sale so I bought a #4 and a #6 round. I use those most often and could only afford two so this was my decision. I will take good care of them!

EscodaVersatil_Rounds

 

 

 

Daniel Smith Watercolour Sets

June 18, 2017

Daniel Smith has an enormous number of watercolours and some with special effects. Way too many for my budget, but I decided to make up a little palette of twelve colours from sets they offer.

DanielSmith_2Sets

The paints come in tubes, so I bought a tin box with 12 half pans that I can squeeze the watercolour into and thus have a nicely organized portable palette.

Medeen_12HalfTin

Is this something I needed? No, but I’m going to have fun trying them out. I also realized that I could drive myself nuts trying to pick the perfect Daniel Smith pigments to buy, and they are scarce in Canada, so I gave up and ordered the sets and tin off Amazon.ca.

I went through agonies of indecision when setting up my main 24-pan Winsor & Newton watercolour palette in a similar tin with purchased half pans. This Daniel Smith tin is just for fun, just to noodle around moving paint around and seeing what happens.

I think I’m going to find the natural pigment in the Primatek set interesting to work with and mix.

 

 

 

New Botanical Drawing and Painting Books and Sketchbooks

May 31, 2017

Botanical Drawing using Graphite and Coloured Pencils by Sue Vize which has a lovely mix of graphite and coloured pencil, one of my favourite approaches to botanicals.

The other one uses support boards for painting which is not something I’m interested in but he has some useful information on glazing and mixing with gouache. Botanical Painting with Gouache: a step-by-step guide by Simon Williams.

BotanicalBooks

I am still having trouble with my shoulder which makes it painful to draw but I am following a vegan eating plan and hoping that will promote healing. To dispel discouragement because I haven’t been able to work in my large Stillman & Birn Zeta sketchbook for the pretend trip to Chile, I ordered two smaller Stillman & Birn sketchbooks with the same heavier weight of paper for everyday sketching.

I got the wire bound 7 x 7-inch Beta paper which is slightly rougher than the Zeta paper but not as rough apparently as cold-press watercolour. Then I decided to try a softcover Zeta sketchbook in a smaller 8 x 10-inch size than the hardcover I have.

Sketchbooks_June2017

I really like these heavier weights of paper that Stillman & Birn offer. Curry’s in Canada has discontinued carrying these sketchbooks and local shops won’t carry them because of the price, but I mail ordered mine from Aboveground Art in Toronto, who have been very good to buy Faber-Castell supplies from, which I also find hard to hunt up.

Here’s to healing and feeling better!

 

 

Books on Owls and Colour Mixing Recipes

January 23, 2017

I placed an order at an art supply shop to beef up my collection of Faber-Castell Polychromos coloured pencils. Although I have 60 colours, I was short on the warm and cool grey selections which are good for animal fur and feathers. I ended up getting 18 colours, so I’ll be up to 78 colours in total with this set. I initially bought a set of 24 pencils and then this will be my third order over several years to get the particular colours I find useful.

I was going to try the Caran d’Ache Luminance or Pablo coloured pencils but the cost is way too much. Besides, I like the oil-based Polychromos and want to stick with them. Then I was looking at the Caran d’Ache Neocolor II water-soluble pastel crayons and I realized I was just looking for the sake of looking. Back to reality.

I thought I’d also order a drafting template for small lettering. I got the Alvin Standard Lettering Guide TD112 that uses size: 1/8″, 3/16″, 1/4″, which is pretty small, but makes neat and tidy text.

alvintd112lettering_sm

I threw in a couple of Faber-Castell PITT pens because no one here sells them. I bought a back-up Sepia Superfine pen and a new-to-me Sanguine colour in the Fine size. I love their sepia colour and I think Sanguine might look good for buildings and lettering.

I occasionally buy photographic books for drawing references. I have used my reptiles book so much I thought I’d get one on owls, and I liked the photos in this and the huge amount of information on global species of owls.

Owls of the World: A Photographic Guide by Heimo Mikeola looks terrific and it gets great reviews. He is originally from Finland and has spent 40 years researching and photographing owls; a noted expert who obviously knows his stuff judging by the sample pages I saw of this book.

owlsoftheworld

I dithered over this book because it’s better that people learn to mix their own colours when painting. I’m not too bad when mixing watercolour but in planning a large acrylic piece I wanted a reference for mixing particular colours, so I ordered the book 1500 Color Mixing Recipes by William F. Powell. This is one of those handy Walter Foster publications that have such good information.

colourmixingguide

I saw an excellent tutorial on YouTube for drawing rabbit fur with Polychromos coloured pencils so it got me all fired up. I still have a shoulder injury and tendinitis bothering me but I’m going to try doing small pictures at least. I’m sure a suitable owl with appear in the new book.

I also want to draw a sandpiper because of a story about a sandpiper from my Dad’s childhood, and due to his recent death I’ve been thinking about that. It’s a bit harder to find a large photo of a suitable bird but I’ll keep watch for one. I have some scraps of grey or cream Stonehenge paper that would do well for this.

 

 

Don’t Struggle With Cheap Gouache!

December 16, 2016

Over the last 15 years or so, I’ve been struggling now and then to use my set of Reeves gouache. It’s great for beginner’s having a fiddle with a medium they aren’t sure about, but they are quite chalky and the colour quality isn’t that great.

gouachemontage_reeves

Gouache is strange to work with because it dries so fast, but also enticing because of its opaque qualities and coverage. It has a creamy consistency that is interesting and a matte finish which looks and feels good.

So this week I hauled out my tube of white gouache to use on a graphite picture for highlights, and the tube is almost empty, and I said to myself “Why are you still struggling with this little set?” I like gouache, I have plans to use it in my new sketchbook project, and try it out more on darker colours of Canson Mi-Teintes paper which I love, but this grade of gouache is something that’s pointless when I need a better quality of paint that will help me improve my art.

I gave up the struggle and bought a set of ten artist quality gouache tubes from Winsor & Newton. Oh man, I could have picked out 20 individual tubes and got just the right colours, but the cost would have been close to $200, whereas the set was $73 and I bought an extra tube of Permanent White which uses titanium in the mix rather than the Zinc White that comes in the set.

wn_gouache10plus1

Chemicals in paint: Zinc White mixes well with other colours, Titanium White likes to be on its own, creating highlights and drawing things on Mi-Teintes paper, alone, alone, alone. Who am I to argue?

I hadn’t planned to buy any art supplies for Christmas, but it happened. I’m excited after several months of pain from a shoulder impingement, to gear up a bit and start drawing and painting again. I still have pain but can manage 30 minutes a day as long as I wear a tendon cuff and don’t overdo it.

Sally Warner, in her book Making Room for Making Art, describes herself and others grabbing 10 to 15 minutes of art creation time a day as their lives allow, and creating wonderful art.

I’m with Sally.

makeroom

 

 

 

 

 

Half Pans, Sketchbooks, Metric Weights for Paper, and Useful Apps

June 2, 2016

I try to think in centimeters and millimeters and meters, I also think in kilometers 90 percent of the time, but my stubborn mind will not grok the metric weight of paper. I am constantly looking up and converting online. Yes, yes it’s 240 gsm or 240 g/m² or about 100 lb. paper. The confusing thing is that that weight can vary when converted depending on the thickness of the paper and materials it is made from.

I still have to look it up because art paper is different from copy paper and on and on. Anyway, I was in the market for a new sketchbook that could take pen and ink, watercolour, and coloured pencils which are the materials I use most. I opted for a Canson 224 g or 138 lb “Mix Media” wirebound book. Now why if this is lighter in grams is it heavier in pounds than the 240 gsm? How the heck do you figure that out without feeling the paper? The Stillman & Birn Zeta series books are 270 gsm or 180 lb; I prefer Stillman & Birn sketchbooks but I can’t hunt any up out here. They are too heavy for mail order.

Canson_WatercolourTin

Beside it is the tin I bought last year to hold my Winsor & Newton half pans which I haven’t used yet because I just found them after moving house. However, I was always a bit iffy on the completeness of the colours. If you do computer graphics or printing at all you will be familiar with CMYK (cyan, magenta, yellow, and black) for mixing colours. Basically that’s all you need for watercolour or any other paint or ink, but I found it tiresome to mix greens from these process colours, particularly greens, so I always buy a few extra colours for my palettes plus Payne’s Grey and Indigo which I love for darks.

Still, I decided to beef this little palette up, I’m turning 60 this year and I feel it’s my last kick at the nirvana of art supplies. I bought a few extras:

Cadmium orange
Quinacridone magenta
Winsor violet
French ultramarine
Quinacridone gold
Cobalt Violet
Permanent Sap Green

So I now have 24 colours in the half pans. Did I need these? No. Do they make life easier? Yes.

I bought two Gotrick cradled wood panels in the 18 x 24-inch size to create my diptych for the living room on. I don’t like working on canvas, it’s too bouncy for me, so these looked ideal and are nicely made. Now I need to save up for more acrylic paint. I have some small bottles of Golden Fluid Acrylic but I don’t think they’ll be enough. I’m supposed to seal this with Golden GAC 100 and then do 3 or 4 coats of gesso to prepare it for painting on. This means I need to clear the drafting table and unpack and put away some fabric first to make room.

Gotrick_web

I bought a rather interesting book on pen and ink. It IS simple as the title suggests, but he has some intuitive ideas here and encourages you to make your own marks (literally) in pen and ink rather than slavishly copying tutorials. Pen and Ink Drawing: A Simple Guide by Alphonso Dunn.

penandink_dunn

And lastly, another birthday gift. I am hoping the family sends me cash so I can pay for these things! Two bottles of fountain pen ink (Noodler’s Apache Sunset and Diamine Sherwood Green) and a violet-coloured Platinum Plaisir fountain pen. The nibs on these are coloured but I notice some people saying they receive ones that are plain steel, so I’m not sure which nib I am getting.

plaisir_violet

I don’t know if this counts as exciting for most people, but I used the Android for Dummies book to help me figure out how to use the smartphone I rarely use to hook up to my micro stereo and stream live radio using Bluetooth and wi-fi. There are few radio stations here and the two I listened to most for decades were unavailable and I didn’t feel right, all that empty air and no cheery music, as I am used to having the radio on for hours every day. Using the apps for CBC Radio Two and Jazz FM 91, I can hear the music I like and all the hosts and chatter I like too.

Streaming_Blutooth

Plus I got the nifty Marine Traffic app for the phone and can see what’s cruising by and identify the ships and what country they are from. What I like about this is that you can click on the arrow in the pop-up with the ship name, and pull up photographs that people have uploaded of it and statistics about where it came from, tonnage, measurements etc. I saw one image of a specific cruise ship taken in my area and then another of it in Sydney harbour by the opera house in Australia. Imagine, and it’s right outside my kitchen window!

MarineTraffic_Realtime2

I dislike using phones and avoided these smartphones for years but I had to find a way to make it useful for me, apart from carrying it for emergencies in the car, and so far this radio streaming and Marine Traffic app make it useful.

Not as useful as art supplies but close.